An analysis of debussys arabaesque

In the video game Final Fantasy Vthe character may play various pianos which are found throughout the game, unlocking a small excerpt from Deux arabesques every time they play.

The intention Debussy had with this arabesque is to create a calm and serene mood with the gently rolling left hand and cascading right hand notes. The second arabesque is fun and lively, and just as colorful as the first — though lesser known. The end of the piece features ascending and descending pentatonic scales, the reappearance of the first theme, and ends with ascending E major chords in both hands.

He wanted to paint a mood, not a clearly defined picture. Highlights The arabesque is unique to the Romantic period in its use of polyrhythm. The second section is in A major, and features a new theme: Additionally, Romantic music tended to rely solely on major and minor scales, while Impressionism used dissonance and uncommon scales, such as the E Lydian scale mentioned above.

Additionally, the piece has a fairly complex harmonic structure, frequently changing keys. One of them is the emphasis on virtuosity as opposed to adhering to any kind of set form or technique.

Debussy’s Deux arabesques [simple piano guide]

Retrieved November 16, It closes in a similar fashion to the first arabesque. Debussy on Musicp Allegretto scherzando[ edit ] The second arabesque in G major is noticeably quicker and more lively in tempo. We can hear this piece as a transition between the Romantic and Impressionist periods because of its shorter form — later Romantic music tended to be shorter like music todayand early Impressionist music used dissonance and different scales beyond the standard major and minor.

An analogy might be drawn from one of Debussy's own musical "subjects", the sea. Arabesques are also usually fairly free-form.

It leads into a larger section which begins with a left hand arpeggio in E major and a descending right hand E major pentatonic progression. A section We start in the key of E major. Allegretto scherzando Arabesque No.

It then continues into a larger section featuring the polyrhythmic E major 8th-note arpeggios in the left hand and the descending triplet progression in the right hand, a continuation of the first theme: However, whole-tone relationships are used by him in conjunction with, or as part of, a much more complex group of melodic and harmonic usages -- interlocking pentatonic structures, for example, based on a fundamental principle of symmetry.

Characteristics of his style are chains of thirds, of seventh, ninth, or eleventh chords, or of related structures built on fourths or major seconds, arranged in pentatonicwhole-tonediatonic, or chromatic patterns.

Overview The piece begins in E Major, in a series of triads in the first inversion, and introduces us to the first theme. Other Details Debussy's Arabesque No. Rhythm, phrase, dynamics, accent, and tone color are largely freed from direct dependence on tonal motion because of Debussy's ambiguities.

For more Debussy goodness, be sure to check out the history of Debussythe music of Debussy and a closer look at the famous Clair de Lune. Romantic pieces were traditionally longer, such as the long-form symphony or concerto, while Impressionistic pieces were usually short, such as the nocturne, prelude, or arabesque.

Claude Debussy's Musical Style Background Debussy provided the first real alternative to the music and style of the German Romantic Wagnerians. He established France as a musical power and opened up Western music to non-Western influences.

He drew from many sources, including: (hear Arabesque. Taking his cue from the baroque arabesque form (a popular French dance), both of these works have something resembling a danceable form - something clearly noticed by US R&B singer-songwriter Alicia Keys, whose song.

Arabesque and the Early Music Influence in Debussy’s Trois Chansons de Charles d’Orléans by Until now, analysis of the Trois chansons has not sufficiently considered the 3.

Debussy - Arabesques

Arabesque and Mode Use in Pelléas et Mélisande. Arabesque No. 1 is used in the Japanese movie All about Lily Chou-Chou (), the title of which refers an enigmatic pop star who bears the. Aug 03,  · I'm currently in the early stages of posting a series of articles through my music blog on the process of analysis of the Debussy piece 'Arabesque No.

1'. I'm looking very specifically at the in depth functionality of the music through a variety of analytic methods. I thought there might be some.

Debussy - Arabesques

Brandy M. Winn Music Jill Oneal November 6, Debussy Arabesque, No.1 in E Debussys Arabaesque, has become one of my favorite pieces of classical Music for the simple fact that it is easy for me to identify with.

An analysis of debussys arabaesque
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